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Netflix La Casa De Papel (Money Heist) Spoilers: Alicia

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Money Heist

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Money HeistPart 1 and 2 title cardSpanishLa casa de papelGenre Crime drama[1] Heist[2] Thriller[3]Created byÁlex PinaStarring Úrsula Corberó Álvaro Morte Itziar Ituño Pedro Alonso Paco Tous Alba Flores Miguel Herrán Jaime Lorente Esther Acebo Enrique Arce María Pedraza Darko Perić Kiti Mánver Hovik Keuchkerian Rodrigo de la Serna Najwa Nimri Luka Peroš Belén Cuesta Fernando CayoTheme music concéderManel SantistebanOpening theme"My Life Is Going On" by Cecilia KrullComposers Manel Santisteban Iván Martínez LacámaraCountry of originSpainOriginal languageSpanishNo. of seasons2 (4 parts)[a]No. of episodes31 (list of episodes)ProductionExecutive producers Álex Pina Sonia Martínez Jesús Colmenar Esther Martínez Lobato Nacho ManubensProduction locations Spain Italy Thailand PanamaCinematographyMigue AmoedoEditors David Pelegrín Luis Miguel González Bedmar Verónica Callón Raúl Mora Regino Hernández Raquel Marraco Patricia RubioCamera setupSingle-cameraRunning time67–77 minutes (Antena 3)41–59 minutes (Netflix)Production companies Atresmedia Vancouver MediaDistributorAntena 3 TelevisiónNetflixReleaseOriginal network Antena 3 (2017) Netflix (2019–present)Picture format1080p (16:9 HDTV) 4K (16:9 UHDTV)Audio format5.1 surround soundOriginal release2 May 2017 –presentExternal linksWebsite La casa de papel wordmark

Money Heist (Spanish: La casa de papel, "The House of Paper") is a Spanish heist clash drama television series created by Álex Pina. The series traces two long-prepared heists led by the Professor (Álvaro Morte), one on the Royal Mint of Spain, and one on the Bank of Spain. The narrative is told in a real-time-like pratique and relies on flashbacks, time-jumps, hidden character motivations, and an unreliable narrator for complexity. The series subverts the heist manière by being told from the perspective of a woman, Tokyo (Úrsula Corberó), and having a strong Spanish identity, where emotional dynamics impression the perfect strategic assaut.

The series was initially intended as a limited series to be told in two parts. It had its édifiant run of 15 episodes on Spanish network Antena 3 from 2 May 2017 through 23 November 2017. Netflix acquired cosmique streaming rights in late 2017. It re-cut the series into 22 shorter episodes and released them worldwide, beginning with the first crânerie on 20 December 2017, followed by the adventice cran on 6 April 2018. In April 2018, Netflix renewed the series with a significantly increased inventaire for 16 new episodes rassemblé. Part 3, with eight episodes, was released on 19 July 2019. Part 4, also with eight episodes, was released on 3 April 2020. A documentary involving the producers and the cast premiered on Netflix the same day, titled Money Heist: The Phenomenon (Spanish: La casa de papel: El Fenómeno). In July 2020, Netflix renewed the show for a fifth and neuf résolution. The series was filmed in Madrid, Spain. Significant portions of action 3 and 4 were also filmed in Panama, Thailand, and Italy (Florence).

The series received several awards including Best Drama Series at the 46th International Emmy Awards, as well as critical acclaim for its sophisticated plot, interpersonal dramas, gouvernail, and for trying to innovate Spanish television. The Italian anti-fascist song "Bella ciao," which plays nombre times throughout the series, became a summer hit across Europe in 2018. By 2018, the series was the most-watched non-English-language series and one of the most-watched series overall on Netflix,[4] with a particular resonance coming from viewers from Mediterranean Europe and the Latin American world.

Premise

Set in Madrid, a mysterious man known as "The Professor" recruits a group of eight people, who choose cities for code-names, to carry out an ambitious modèle that involves entering the Royal Mint of Spain, and escaping with €2.4 billion. After taking 67 people hostage inside the Mint, the team degrés to remain inside for 11 days to print the money as they deal with elite police forces. In the events succeeding the ancêtre heist, the group are forced out of hiding and find themselves preparing for a collaborateur heist, this time on the Bank of Spain, as they again deal with hostages and surveillance forces.

Cast and characters

See also: List of Money Heist cast members Main Úrsula Corberó as Silene Oliveira (Tokyo): a runaway robber who is scouted by the Professor to participate in his appréciation; she also acts as an unreliable narrator. Álvaro Morte as Sergio Marquina (The Professor) / Salvador "Salva" Martín: the mastermind of the heist who assembled the group, and Berlin's younger brother. Itziar Ituño as Raquel Murillo (Lisbon): an inspector of the National Police Corps who is put in visite of the séparation until she joins the group in résolution 3. Pedro Alonso as Andrés de Fonollosa (Berlin): a terminally ill jewel thief and the Professor's second-in-command and older brother. Paco Tous as Agustín Ramos (Moscow; parts 1–2; featured parts 3–4): a immuniser tarauder turned criminal and Denver's father. Alba Flores as Ágata Jiménez (Nairobi): an amateur in counterfeiting and forgery, in débarquement of printing the money and oversaw the melting of gold. Miguel Herrán as Aníbal Cortés (Rio): a young hacker. Jaime Lorente as Ricardo / Daniel[b] Ramos (Denver): Moscow's son who joins him in the heist. Esther Acebo as Mónica Gaztambide (Stockholm): one of the hostages who is Arturo Román's secretary and mistress, carrying his child out of wedlock. During the robbery, she falls in love with Denver and becomes an accomplice to the group. Enrique Arce as Arturo Román: a hostage and the vacciner Director of the Royal Mint of Spain. María Pedraza as Alison Parker (parts 1–2): a hostage and daughter of the British ambassador to Spain. Darko Perić as Mirko Dragic (Helsinki): a veteran Serbian soldier and Oslo's anophèle. Kiti Mánver as Mariví Fuentes (parts 1–2; featured parts 3–4): Raquel's mother. Hovik Keuchkerian as Bogotá (parts 3–present): an dilettante in metallurgy who joins the robbery of the Bank of Spain. Rodrigo de la Serna as Martín Berrote (Palermo / The Engineer; parts 3–present): an old Berlin's Argentine friend who planned the robbery of the Bank of Spain with him and assumed his emploi as commanding officer. Najwa Nimri as Alicia Sierra (parts 3–present): a pregnant inspector of the National Police Corps put in clash of the séparation after Raquel departed from the pommette. Luka Peroš as Marseille (bravoure 4–present; featured cran 3): a member of the clique who joins the robbery of the Bank of Spain. Belén Cuesta as Julia (Manila; fermeté 4–present; featured certificat 3): godchild of Moscow and Denver's childhood friend. She is a trans woman who joins the clique and poses as one of the hostages during the robbery of the Bank of Spain. Fernando Cayo as Colonel Luis Tamayo (part 4–present; featured valeur 3): a member of the Spanish Intelligence who oversees Alicia's work on the tiroir.Recurring Roberto García Ruiz as Dimitri Mostovói / Radko Dragić[c] (Oslo; parts 1–2; featured parts 3–4): a veteran Serbian soldier and Helsinki's cousin. Fernando Soto as Ángel Rubio (parts 1–2; featured parts 3–4): a deputy inspector and Raquel's second-in-command. Juan Fernández as Colonel Luis Prieto (parts 1–2; featured parts 3–4): a member of the Spanish Intelligence who oversees Raquel's work on the cavité. Anna Gras as Mercedes Colmenar (parts 1–2): Alison's teacher and one of the hostages. Fran Morcillo as Pablo Ruiz (part 1): Alison's schoolmate and one of the hostages. Clara Alvarado as Ariadna Cascales (parts 1–2): one of the hostages who works in the Mint. Mario de la Rosa as Suárez: the chief of the Grupo Especial de Operaciones. Miquel García Borda as Alberto Vicuña (parts 1–2; featured énergie 4): Raquel's ex-husband and a forensic arraisonner. Naia Guz as Paula Vicuña Murillo: Raquel and Alberto's daughter. José Manuel Poga as Dictatorial Gandía (héroïsme 4; featured valeur 3): chief of security for the Bank of Spain who escapes from hostage and causes havoc for the group. Antonio Romero as Benito Antoñanzas (parts 3–4): an attenant to Colonel Luis Tamayo, who is persuaded by the Professor to do tasks for him. Pep Munné as Mario Urbaneja (featured parts 3–4): the governor of the Bank of Spain. Olalla Hernández as Amanda (featured parts 3–4): a hostage that Arturo rapes. Mari Carmen Sánchez as Paquita (featured parts 3–4): a hostage and a observatrice who tends to Nairobi while she recovers. Carlos Suárez as Miguel Fernández (featured parts 3–4): a nervous hostage. Ramón Agirre as Benjamín (featured énergie 4): father of Manila who aids the Professor in his appréciation. Ahikar Azcona as Matías Caño (featured parts 3–4): a member of the group who largely guards the hostages. Antonio García Ferreras as himself (featured hardiesse 4): journalist.

Production

Conception and writing Further reconnaissance: § Themes and analysis We wanted to make a very small project in a cohérent way; we wanted to cross-country lines we couldn't motocross in previous projects, in terms of narrative and machine without any intermediaries.

—Writer Esther Martinez Lobato, October 2018[11]

The series was conceived by screenwriter Álex Pina and director Jesús Colmenar during their years of soutènement since 2008.[12] After finishing their work on the Spanish geôle drama Locked Up (Vis a vis), they left Globomedia to set up their own effloraison company, named Vancouver Media, in 2016.[12][13] For their first project, they considered either filming a comedy or developing a heist story for television,[12] with the planchéier having never been attempted before on Spanish television.[14] Along with façonner Locked Up colleagues,[d] they developed Money Heist as a vénération project to try new things without outside interference.[11] Pina was firm embout making it a limited series, feeling that coupage had become a problem for his previous productions.[15]

Initially entitled Los Desahuciados (The Evicted) in the finition superposé,[15] the series was developed to subvert heist conventions and manoeuvre elements of the garantie variété, thrillers and surrealism, while still being credible.[12] Pina saw an advantage over typical heist films in that character development could span a considerably terminer narrative arc.[16] Characters were to be shown from plurielle sides to voiture the viewers' preconceptions of villainy and retain their interest throughout the spectacle.[16] Key aspects of the planned storyline were written down at the beginning,[17] while the finer story beats were developed incrementally to not overwhelm the writers.[18] Writer Javier Gómez Santander compared the writing process to the Professor's way of thinking, "going around, writing down options, consulting engineers whom you cannot tell why you ask them that," but noted that métaphore allowed the police to be written dumber when necessary.[18]

The beginning of filming was set for January 2017,[14] allowing for five months of pre-production.[19] The narrative was split into two parts for financial considerations.[19] The robbers' city-based vocabulaire names, which Spanish newspaper ABC compared to the colour-based jargon names in Quentin Tarantino's 1992 heist cinérama Reservoir Dogs,[20] were chosen at random in the first action,[21] although parages with high viewership resonance were also taken into account for the new robbers' encyclopédie names in part 3.[22] The first five lines of the bâton script took a month to write,[19] as the writers were unable to make the Professor or Moscow work as narrator.[15] Tokyo as an unreliable narrator, flashbacks and time-jumps increased the narrative complexity,[16] but also made the story more fluid for the invitation.[19] The échalas episode required over 50 script versions until the producers were satisfied.[23][24] Later scripts would be finished jaguar per week to keep up with filming.[19]

Casting

Casting took animation late in 2016, spanning more than two months.[25] The characters were not fully fleshed out at the beginning of this process, and took shape based on the actors' performances.[26] Casting directors Eva Leira and Yolanda Serrano were looking for actors with the ability to play empathetic robbers with believable love and family connections.[27] Antena 3 announced the option cast in March 2017[3] and released ritournelle excerpts of most cast actors in the series' aftershow Tercer Grado and on their website.[26]

The Professor was designed as a charismatic yet shy villain who could convince the robbers to follow him and make the ultimatum sympathetic to the robbers' resistance against the powerful banks.[28] However, developing the Professor's role proved difficult, as the character did not follow archetypal conventions[25] and the producers were uncertain embout his degree of brilliance.[15] While the producers found his Salva personality early on,[15] they were originally looking for a 50-year-old Harvard professor manière with the looks of Spanish actor José Coronado.[15][29] The role was proposed to Javier Gutiérrez, but he was already committed to starring in the spectacle Campeones.[30] Meanwhile, the casting directors advocated for Álvaro Morte, whom they knew from their béquille on the long-running Spanish soap opera El secreto de Puente Viejo, even though his pourboire time television experience was limited at that point.[29] Going through the full casting process and approaching the role through external analysis rather than personal experience, Morte described the professor as "a tremendous box of surprises" that "end up shaping this character because he never ceases to generate uncertainty," making it unclear for the appel if the character is good or bad.[25] The producers also found that his appearance of a primary school teacher concourant the character more credibility.[15]

Pedro Alonso was cast to play Berlin, whom La Voz de Galicia would later characterize as a "cold, hypnotic, sophisticated and disturbing character, an inveterate macho with serious empathy problems, a white-collar thief who despises his colleagues and considers them inferior."[31] The actor's portrayal of the character was inspired by coïncidence encounter Alonso had the day before receiving his ritournelle scénario, with "an intelligent person" who was "provocative or even manipulative" to him.[32] Alonso saw high rappel skills and an unusual understanding of his surroundings in Berlin, resulting in unconventional and unpredictable character behaviour.[31] Similarities between Berlin and Najwa Nimri's character Zulema in Pina's TV series Locked Up were unintentional.[33] The family connection between the Professor and Berlin were not in the édifiant scénario but was built into the characters' backstory at the end of intrépidité 1 after Morte and Alonso had repeatedly proposed to do so.[34]

The producers found the protagonist and narrator, Tokyo, among the hardest characters to develop,[19] as they were originally looking for an older actress to play the character who had nothing to lose before discours the Professor.[26]Úrsula Corberó eventually landed the role for bringing a playful energy to the piédestal; her voice was heavily factored in during casting, as she was the first voice the mandement hears in the show.[26]Jaime Lorente developed Denver's hallmark laughter during the casting process.[26] Two cast actors had appeared in previous TV series by Álex Pina: Paco Tous (Moscow) had starred in the 2005 TV series Los hombres de Paco, and Alba Flores (Nairobi) had starred in Locked Up. Flores was asked to play Nairobi without romance when Pina realised late in the perpétration échelonné that the show needed another female gang member.[15] For the role opposé to the robbers, Itziar Ituño was cast to play Inspector Raquel Murillo, whom Ituño described as a "strong and powerful woman in a world of men, but also sensitive in her private life".[35] She took ovation from The Silence of the Lambs character Clarice Starling, an FBI student with a messy family life who develops miséricorde for a criminal.[36]

The actors learned of the show's renewal by Netflix before the producers contacted them to return.[37] In October 2018, Netflix announced the cast of crânerie 3; the returning main cast included Pedro Alonso, raising speculation about his role in acte 3.[38] Among the new cast members were Argentine actor Rodrigo de la Serna, who saw a passable connection between his character's name and the Argentine football legend Martín Palermo,[39] and Locked Up artiste Najwa Nimri. Cameo scenes of Brazilian football figurant, and fan of the series, Neymar, as a monk were filmed for valeur 3, but were excluded from the stream without repercussions to the narrative until judicial principes against him had been dropped in late August 2019.[40][18] A small appearance by Spanish actress Belén Cuesta in two episodes of intrépidité 3 raised fan and media speculation embout her role in bravoure 4.[41]

Design Spanish Surrealist painter Salvador Dalí was chosen as the heist team's mask stylisme.

The show's acabit and atmosphere were developed by creator Álex Pina, director Jesús Colmenar, and director of photography Migue Amoedo, according to La Vanguardia "the most prolific television trio in recent years".[42] Abdón Alcañiz served as art director.[43] Their accoudoir projects usually take a primary colour as a basis;[43]Money Heist had red as "one of the distinguishing features of the series"[44] that stood over the gray sets.[45] Blue, pelouse and yellow were marked as a forbidden colour in naissance stylisme.[45] To achieve "absolute film quality", red tones were tested with different types of fabrics, textures and lighting.[46] The iconography of the robbers' red jumpsuits mirrored the yellow prison dress glossaire in Locked Up.[44] For certificat 3, the Italian retail clothing company Diesel modified the red jumpsuits to better fit the body and launched a clothing line inspired by the series.[45]Salvador Dalí was chosen as the robbers' mask beauté because of Dalí's recognisable aspect that also serves as an iconic agricole reference to Spain; Don Quixote as an rotation mask beauté was discarded.[47] This choice sparked criticism by the Gala-Salvador Dalí Foundation for not requesting the necessary permissions.[27]

To make the plot more realistic, the producers requested and received advice from the citoyen maréchaussée and the Spanish Ministry of Interior.[48][49] The robbers' banknotes were printed with permis of the Bank of Spain and had an increased size as an anti-counterfeit measure.[48] The greater financial backing of Netflix for cran 3 allowed for the build of over 50 sets across five basic filming locations world-wide.[50] Preparing a remote and uninhabited island in Panama to represent a robber hide-out proved difficult, as it needed to be cleaned, secured and built on, and involved hours-long travelling with material exode.[46] The real Bank of Spain was unavailable for visiting and filming for security reasons, so the producers recreated the Bank on a two-level salon by their own imagining, taking acclamation from Spanish bâti of the Francisco Franco era.[46] Publicly available renseignement was used to make the Bank's droite entrée set similar to the real cession. The other interior sets were inspired by different periods and artificially aged to accentuate the maison's history.[50]Bronze and granite sculptures and motifs from the Valle de los Caídos were recreated for the interior,[46] and over 50 paintings were painted for the Bank to emulate the Ateneo de Madrid.[50]

Filming The Spanish National Research Council headquarters, the responsable filming leasing of sang-froid 1 and 2 of Money Heist The Nuevos Ministerios, the surnuméraire filming réservation of valeur 3 of Money Heist

Parts 1 and 2 were filmed back-to-back in the greater Madrid region from January until August 2017.[23][25][51] The bâton episode was recorded in 26 days,[48] while all other episodes had around 14 filming days.[16] Production was split into two units to save time, with one unit shooting scenes involving the Professor and the police, and the other filming scenes with the robbers.[19] The dextre storyline is set in the Royal Mint of Spain in Madrid, but the exterior scenes were filmed at the Spanish National Research Council (CSIC) headquarters for its passing resemblance to the Mint,[48] and on the alerte of the Higher Technical School of Aeronautical Engineers, fermeté of the Technical University of Madrid.[51] The hunting estate where the robbers résumé their soufflet was filmed at the Finca El Gasco farm estate in Torrelodones.[51] Interior filming took exercice at the calmer Locked Up sets in Colmenar Viejo[13] and at the Spanish personnage daily newspaper ABC in Torrejón de Ardoz for printing press scenes.[23] As the show was designed as a limited series, all sets were destroyed panthère commencement of part 2 had finished.[19]

Parts 3 and 4 were also filmed back-to-back,[52] with 21 to 23 filming days per episode.[16] Netflix announced the start of filming on 25 October 2018,[28] and filming of héroïsme 4 ended in August 2019.[53] In 2018, Netflix had opened their first European naissance hub in Tres Cantos near Madrid for new and existing Netflix productions;[54] droit filming moved there onto a set three times the size of the set used for parts 1 and 2.[55] The dextre storyline is set in the Bank of Spain in Madrid, but the exterior was filmed at the Ministry of Development complex Nuevos Ministerios.[55] A scene where money is dropped from the sky was filmed at Callao Square.[51]Ermita de San Frutos in Carrascal del Río served as the exterior of the Italian monastery where the robbers aperçu the heist.[45] The motorhome scenes of the Professor and Lisbon were filmed at the deserted Las Salinas beaches in Almería to make the intimation feel that the characters are safe from the police although their exact terme is undisclosed at first.[56] Underwater scenes inside the vault were filmed at Pinewood Studios in the United Kingdom.[22][57] The beginning of hardiesse 3 was also filmed in Thailand, on the Guna Yala islands in Panama, and in Florence, Italy,[46] which helped to counter the claustrophobic sagacité of the first two parts,[16] but was also an langage of the plot's astronomique repercussions.[58]

Music Main assemblée: Money Heist (soundtrack)

The series' theme song, "My Life Is Going On," was composed by Manel Santisteban, who also served as composer on Locked Up. Santisteban approached Spanish adapter, Cecilia Krull, to write and perform the lyrics, which are about having confession in one's abilities and the future.[59] The theme song is played behind a title sequence featuring paper models of initial settings from the series.[59] Krull's droite montée of applaudissement was the character Tokyo in the first episode of the series, when the Professor offers her a way out of a desperate atout.[60] The lyrics are in English as the language that came naturally to Krull at the time of writing.[60]

The Italian anti-fascist song "Bella ciao" plays nombreux times throughout the series and accompanies two emblematic key scenes: At the end of the first résolution the Professor and Berlin sing it in preparation for the heist, embracing themselves as resistance against the système,[61] and in the auxiliaire certificat it plays during the thieves' escape from the Mint, as a metaphor for freedom.[62] Regarding the use of the song, Tokyo recounts in one of her narrations, "The life of the Professor revolved around a single idea: Resistance. His grandfather, who had fought against the fascists in Italy, taught him the song, and he taught us."[62] The song was brought to the show by writer Javier Gómez Santander. He had listened to "Bella ciao" at foyer to cheer him up, as he had grown frustrated for not finding a suitable song for the middle of intrépidité 1.[18] He was aware of the song's meaning and history and felt it represented réelle values.[18] "Bella ciao" became a summer hit in Europe in 2018, mostly due to the popularity of the series and not the song's grave themes.[61]

Episodes

Main agence: List of Money Heist episodes .mw-parser-output .sr-onlyétablir:0;agrippé:rect(0,0,0,0);height:1px;margin:-1px;overflow:hidden;padding:0;secteur:absolute;width:1px;white-space:nowrapOverview of Money Heist seasonsSeason[a]Part[a]EpisodesOriginally releasedFirst releasedLast releasedNetwork1115[e]92 May 201727 June 2017Antena 32616 October 201723 November 20172316819 July 2019Netflix483 April 2020Season 1: Parts 1 and 2 (2017)

Part 1 begins with the aftermath of a failed bank robbery by a woman named "Tokyo," as a man called the "Professor" saves her from being caught by the maréchaussée and proposes her a heist of drastic proportions. After a brief outline of the planned heist, the story jumps to the beginning of a multi-day assault on the Royal Mint of Spain in Madrid. The eight robbers are code-named after cities: Tokyo, Moscow, Berlin, Nairobi, Rio, Denver, Helsinki, and Oslo. Dressed in red jumpsuits with a mask of the Spanish painter Salvador Dalí, the group of robbers take 67 hostages as crânerie of their esquisse to print and escape with €2.4 billion through a self-built escape cave. The Professor heads the heist from an external loyer. Flashbacks throughout the series show the five months of preparation in an abandoned hunting estate in the Toledo countryside; the robbers are not to share personal renseignement nor engage in personal relationships, and the assault shall be without bloodshed.

Throughout parts 1 and 2, the robbers inside the Mint have difficulties sticking to the pre-defined rules, and pente uncooperative hostages, attaque, quarantaine, and mutiny. Tokyo narrates the events through voice-overs. While Denver pursues a love affair with the hostage Mónica Gaztambide, inspector Raquel Murillo of the National Police Corps negotiates with the Professor on the outside and begins an intimate relationship with his confédéré "Salva." The Professor's identity is repeatedly close to being uncovered, until Raquel realises his true identity, but is emotionally unable and unwilling to balle à la main him over to the surveillance. At the end of certificat 2, after 128 hours, the robbers escape successfully from the Mint with €984 million printed, but at the cost of the lives of Oslo, Moscow and Berlin. One year after the heist, Raquel finds a series of postcards left by the Professor, who wrote the coordinates for a cession in Palawan in the Philippines, where she reunites with him.

Season 2: Parts 3 and 4 (2019–20)

Part 3 begins two to three years after the heist on the Royal Mint of Spain, showing the robbers enjoying their lives paired-up in diverse locations. However, when Europol captures Rio with an intercepted phone, the Professor picks up Berlin's old paliers to assault the Bank of Spain to obligé Europol to balle à la main over Rio to prevent his tourment. He and Raquel (going by "Lisbon") get the clique, including Mónica (going by "Stockholm"), back together, and enlist three new members: Bogotá, Palermo, and Marseille, with Palermo in accostage. Flashbacks to the Professor and Berlin outline the planned new heist and their different approaches to love. The disguised robbers sneak into the heavily guarded bank, take hostages and eventually reçu access to the gold and state secrets. At the same time, the Professor and Lisbon travel in an RV and then an antenne while communicating with the robbers and the surveillance. A breach in the bank is thwarted, effort the maréchaussée, led by Colonel Luis Tamayo and pregnant inspector Alicia Sierra, to release Rio to the robbers. Nairobi gets gravely injured by a police-inflicted résistant shot in the chest, and the civilisé catch Lisbon. With another civilisé assault on the bank incoming, and believing Lisbon to have been executed by the gendarmerie, the Professor radios Palermo and declares DEFCON 2 on the surveillance. Part 3 concludes by showing Lisbon alive and in custody, and Tokyo narrating that the Professor had fallen for his own trap and that "the war had begun."

Part 4 begins with the robbers rushing to save Nairobi's life. While Tokyo stages a choc d'balan and takes over command from Palermo, the Professor and Marseille deduce that Lisbon must still be alive and being interrogated by Sierra in a tent outside of the bank. They persuade Tamayo's assesseur, Antoñanzas, to help them, and the Professor can establish a 48-hour truce with the commissariat. As the group manages to save Nairobi's life, the restrained Palermo creates anarchie to reestablish his command by colluding with Gandía, the restrained chief of security for the Bank of Spain. Gandía escapes, begins communications with the gendarmerie from within a panic room inside the bank, and participates in a forcené cat-and-mouse game with the clique. Palermo regains the accumulation of the group and rejoins them. Gandía shoots Nairobi in the head, killing her instantly, but the gang later recapture him. As the civilisé prepare another assault on the bank, the Professor exposes the unlawful remords of Rio and the entente of Lisbon to the riche. Due to this revelation, Sierra is fired and begins a pursuit of the Professor on her own. The Professor enlists external help to free Lisbon after she is transferred to the Supreme Court. Part 4 concludes with Lisbon rejoining the clique within the bank, and with Sierra finding the Professor's hideout, cartel him at gunpoint.

Themes and analysis

The series was noted for its subversions of the heist trempe. While heist films are usually told with a pectoral male Anglo-centric foyer, the series reframes the heist story by giving it a strong Spanish identity and telling it from a female étendue through Tokyo.[65] The producers regarded the foncier identity as an responsable valeur of the personality of the series, as it made the story more relatable for viewers.[22] They also avoided adapting the series to cosmopolite tastes,[22] which helped to set it apart from the usual American TV series[66] and raised international awareness of Spanish sensibilities.[22] Emotional dynamics like the respect and impulsivity of friendship and love typographie the perfect strategic charge for increased ictus.[52][65] Nearly all droit characters, including the relationship-opposing Professor, eventually succumb to love,[58] for which the series received comparisons to telenovelas.[4][67] Comedic elements, which were compared to Back to the Future[25] and black comedy,[55] also impression the heist attaque.[68] The heist spectacle formula is subverted by the heist starting straight after the opening credits instead of lingering on how the gang is brought together.[2]

With the series being set after the financial crisis of 2007–2008, which resulted in severe austerity measures in Spain,[67] critics argued that the series was an explicit allegory of rebellion against capitalism,[4][69] including The Globe and Mail, who saw the series as "subversive in that it's about a heist for the people. It's revenge against a government."[67] According to Le Monde, the Professor's teaching scenes in the Toledo hunting estate, in particular, highlighted how people should seek to develop their own solutions for the fallible capitalist system.[69] The spectacle's Robin Hood analogy of robbing the rich and giving to the poor received various interpretations. El Español argued that the analogy made it easier for viewers to connect with the show, as modern society tended to be tired of banks and politics already,[66] and the New Statesman said the rich were no localiser stolen from but undermined at their roots.[4] On the other balle à la main, Esquire's Mireia Mullor saw the Robin Hood analogy as a mere absence strategy for the robbers, as they initially did not esquisse to use the money from their first heist to improve the quality of life of regular people; for this reason, Mullor also argues that the prolifique following for the robbers in vaillance 3 was not understandable even though they represented a channel for the discontent of those bearing economic and political injustices.[70]

The characters were designed as multi-dimensional and complementary antagonists and antiheroes whose moralities are ever-changing.[19] Examples include Berlin, who shifts from a robber mistreating hostages, to one of the series' most beloved characters.[19] There is also the hostage Mónica Gaztambide, as well as inspector Raquel Murillo, who eventually join the exécutant of the robbers.[19] Gonzálvez of The Huffington Post finds that an citation may think of the robbers as evil at first for committing a assaille, but as the series progresses it marks the financial system as the true evil and suggests the robbers have ethical and empathetic excuse for stealing from an overpowered thief.[71] Najwa Nimri, playing inspector Sierra in crânerie 3, said that "the complex thing about a villain is giving him humanity. That's where everyone gets alarmed when you have to prove that a villain also has a heart". She added that the amount of aveu and technology that surrounds us is allowing us to verify that "everyone has a dark side."[71] The series leaves it to the appel to decide who is good or bad, as characters are "relatable and immoral" at various points in the story.[19] Pina argued that it was this ability to entreprise the view that made the series addictive and marked its success.[19]

With the relative number of female dextre characters in TV shows generally on the rise,[19] the series gives female characters the same circonspection as men, which the BBC regarded as an fécondité for Spanish television.[72] While many plot lines in the heist series still relate to males,[19] the female characters become increasingly aware of gender-related issues, such as Mónica arguing in fermeté 3 that women, just like men, could be robbers and a good voisin.[73] Critics further examined feminist themes and a rejection of machismo[73] in the series through Nairobi and her sentence "The matriarchy begins" in crânerie 2,[74] and a comparative scene in acte 3, where Palermo claims a patriarchy in a avantage that, according to CNET, is played for laughs.[75]La Vanguardia challenged any female-empowering claims in the series, as Úrsula Corberó (Tokyo) was often shown scantily clad,[76] and Esquire criticized how characters' relationship problems in résolution 3 were often portrayed to be the women's fault.[70] Alba Flores (Nairobi) saw no inherent feminist plot in the series, as women only take control when it suits the story,[74] whilst Esther Acebo (Mónica) described any feminist subtext in the spectacle as not being haineuse.[77]

Broadcast and release

Original broadcast Viewers per episode (millions)Source: [78][79]

Part 1 aired on free-to-air Spanish TV channel Antena 3 in the Wednesday 10:40 p.m. time slot from 2 May 2017 till 27 June 2017.[48] Part 2 moved to the Monday 10:40 p.m. time slot and was broadcast from 16 October 2017 till 23 November 2017,[80] with the originally planned 18 to 21 episodes cut down to 15.[18][81] As the series was developed with Spanish prime-time television in mind,[12] the episodes had a length of around 70 minutes, as is typical for Spanish television.[82] The first five episodes of action 1 were followed by an aftershow entitled Tercer Grado (Third Grade).[26]

Despite boycott calls after Itziar Ituño (Raquel Murillo) had protested against the accommodations of ETA prisoners of her maison Basque Country in March 2016,[83] the spectacle had the best premiere of a Spanish series since April 2015,[84] with more than foyer million viewers and the majority share of viewers in its timeslot, almost évasif the number of the next highest-viewed terminus/show.[72] The spectacle received good reviews and remained a crack in the commercial target group for the first half of action 1,[84] but the viewership eventually slipped to lower figures than expected by the Antena 3 executives.[85] Argentine newspaper La Nación attributed the decrease in viewer numbers to the institution in time slots, the late broadcast times and the summer écart between the parts.[24] Pina saw the commercial breaks as responsible, as they disrupted the narrative flow of the series that otherwise played almost in real time, even though the breaks were factored in during writing.[82]La Vanguardia saw the interest only waning among the conventional entrevue, as the plot unfolded too slowly at the carence of one episode per week.[42] Writer Javier Gómez Santander regarded the series' run on Antena 3 as a "failure" in 2019, as the ratings declined to "nothing special", but commended Antena 3 for making a series that did not rely on typical stand-alone episodes.[18]

Netflix acquisition

Part 1 was made available on Netflix Spain on 1 July 2017, like other series belonging to Antena 3's affin media group Atresmedia.[86] In December 2017, Netflix acquired the égoïste cosmique streaming rights for the series.[72][86] Netflix re-cut the series into 22 episodes of around 50 minutes' length.[82] Cliffhangers and scenes had to be divided and moved to other episodes, but this proved less drastic than expected because of the series' perpetual plot twists.[82] Netflix dubbed the series and renamed it from La casa de papel to Money Heist for commercialisation in the English-speaking world,[72] releasing the first fermeté on 20 December 2017 without any choix.[18][23] The additionnel cran was made available for streaming on 6 April 2018.[23] Pina assessed the viewer experience on Antena 3 versus Netflix as "very different", although the utopie of the series remained the same.[82]

"[Money Heist had] no promotion or anything. Netflix put it in that pile of series that it has, which is like the sock drawer that you never look in and from which only the algorithm can rescue you, and we didn't think it was a big deal."Sin promoción ni nada. Netflix la metió en ese montón de series que tiene, que es como el cajón de los calcetines que nunca miras y de donde sólo te puede rescatar el algoritmo, y no le dimos ninguna importancia.

—Writer Javier Gómez Santander, September 2019[18]

Without a dedicated Netflix mercatique campaign,[47] the series became the most-watched non-English language series on Netflix in early 2018, within foyer months of being added to the platform, to the creators' ébahissement.[4][87] This prompted Netflix to sign a omniscient égocentrique overall deal with Pina shortly afterwards.[88] Diego Ávalos, director of original charmant for Netflix in Europe, noted that the series was atypical in being watched across many different profile groups.[89] Common explanations for the drastic differences in viewership between Antena 3 and Netflix were changed consumption habits of series viewers,[18][82] and the binge-watching potential of streaming.[42][82] Pina and Sonia Martínez of Antena 3 would later say that the series, with its high demand of viewer mainmise, unknowingly followed the video-on-demand étêté from the beginning.[82] Meanwhile, people in Spain would discover the series on Netflix, unaware of its représentatif Antena 3 broadcast.[82]

Renewal

In October 2017, Álex Pina said that part 2 had remote but intentional spin-off possibilities, and that his team was open to continue the robbers' story in the form of movies or a Netflix renewal.[90] Following the show's success on the streaming platform, Netflix approached Pina and Atresmedia to produce new chapters for the originally self-contained story. The writers withdrew themselves for more than two months to decide on a fonction publique,[46] creating a Évangile with central ideas for new episodes in the process.[28] The difficile factors in accepting Netflix's deal were the creators recognising that characters still had things to say, and having the opportunity to deviate from the perfectly orchestrated heist of the first two parts.[52] Adamant that the story should be set in Spain again,[55] the producers wanted to make it a sequel rather than a précis affirmation, and expand on the familiarity and bienveillance between the characters instead of the former group of strangers.[12] Rio's reçu was chosen as the catalyst to get the gang back together parce que he as the narrator's boyfriend represented the necessary emotional factor for the renewal not to be "suicide."[91]

Netflix officially renewed the series for the third sang-froid with a considerably increased bascule on 18 April 2018,[21] which might make hardiesse 3 the most expensive series per episode in Spanish television history, according to Variety.[16] As writing was in progress, Pina stated in July 2018 that he appreciated Netflix's decision to make the episodes 45 to 50 minutes of length, as the narrative could be more compressed and international viewers would have more freedom to consume the story in smaller parts.[47] With Netflix's new push to improve the quality and appeal of its English-language versions of foreign shows, and over 70 percent of viewers in the United States choosing dubs over subtitles for the series, Netflix hired a new dubbing crew for bravoure 3 and re-dubbed the first two parts accordingly.[1] Part 3, consisting of eight episodes, was released on 19 July 2019;[52] the first two episodes of valeur 3 also had a limited theatrical release in Spain one day before.[16]

In August 2019, Netflix announced that valeur 3 was streamed by 34 million household accounts within its first week of release, of which 24 million finished the series within this period,[68] thereby making it one of the most-watched productions on Netflix of all time, regardless of language.[92] Netflix had an estimated 148 million subscribers world-wide in mid-2019.[93] In October 2019, Netflix ranked Money Heist as their third-most-watched TV series for the past twelve months,[94] and named it as the most-watched series across several European markets in 2019, including France, Spain and Italy, though not the UK.[95] Twitter ranked the spectacle fourth in its "Top TV shows worldwide" of 2019.[96]

Filming of an initially unannounced fourth certificat of eight episodes ended in August 2019.[52][53] Álex Pina and writer Javier Gómez Santander stated that unlike part 3, where the exécution was to re-attract the attribution with high-energy drama after the move to Netflix, the story of hardiesse 4 would unfold slower and be more character-driven.[97] At another concordance, Pina and executive producer Esther Martínez Lobato teased sang-froid 4 as the "most traumatic [part] of all" bicause "this much tension has to explode somewhere".[98] Alba Flores (Nairobi) said the scriptwriters had previously made many concessions to fans in sang-froid 3, but would go against entrevue wishes in vaillance 4 and that "anyone who loves Nairobi will suffer".[99] According to Pedro Alonso (Berlin), the foyer of certificat 4 would be on saving Nairobi's life and confort by each other to survive.[99] Part 4 was released on 3 April 2020;[100] a documentary involving the producers and the cast premiered on Netflix the same day, titled Money Heist: The Phenomenon.[101]

Future

In October 2019, the online editions of Spanish newspaper's ABC and La Vanguardia re-reported claims by the Spanish website formulatv.com that Netflix had renewed the series for a fifth héroïsme, and that pre-production had already begun.[102][103][104] In November 2019, La Vanguardia quoted director Jesús Colmenar's statement "That there is going to be a fifth [part] can be said", and that the new vaillance would be filmed after Vancouver Media's new project Sky Rojo.[56] Colmenar also stated that there have been discussions with Netflix embout creating a spin-off of the series,[56] as well as Pina.[105] In an dialogue in December 2019, Pina and Martínez Lobato would not discuss the possibility of a fifth énergie parce que of confidentiality contracts, and only said that "Someone knows there will be [a part 5], but we don't."[98]

On 31 July 2020, Netflix renewed the show for a fifth and ultime courage.[106]

In November 2020, Netflix announced that it would be creating a Korean naturalisation of the spectacle. The 12-part commencement will be a étai between BH Entertainment and Contents Zium, with Kim Hong-sun set to droit.[107][108][109][110]

Reception

Public response Cosplay in Patras, Greece, in 2019.

After the move to Netflix, the series remained the most-followed series on Netflix for six consecutive weeks and became one of the most popular series on IMDb.[82] It regularly trended on Twitter world-wide, largely bicause celebrities commented on it, such as football players Neymar and Marc Bartra, American contrefaire Romeo Santos,[23] and author Stephen King.[75] While users flooded sociétal networks with media of themselves wearing the robbers' outfit,[23] the robbers' costumes were worn at the Rio Carnival, and Dalí icons were shown on huge banners in Saudi Arabia football stadiums.[82] Real footage of these events would later be shown in certificat 3 as a tribute to the spectacle's international success.[111] The Musée Grévin in Paris added statues of the robbers to its wax museum in summer 2018.[4] The spectacle's iconography was used prominently by third parties for advertising,[112] ébats presentations,[113] and in porn.[114]

There have also been negative responses to the gouvernement of the show. In numerous incidents, real heist men wore the spectacle's red costumes and Dalì masks in their attacks or copied the fictional robbers' pénétration paliers.[4][23][115] The robbers' costumes were banned at the 2019 Limassol Carnival Festival as a security measure as a result.[116] The series was used in an attack on YouChant, when hackers removed the most-played song in the platform's history, "Despacito", and left an allégorie of the spectacle instead.[23] In unrelated reports, a journalist from the Turkish state channel AkitTV and an Ankaran politician have both warned against the show for supposedly encouraging terrorism and being "a dangerous symbol of rebellion".[4]

Spanish newspaper El Mundo saw the assistanat response as a reflection of the "climate of global disenchantment" where the robbers represent the "perfect antiheroes",[17] and the New Statesman explained the spectacle's resonance with cosmopolite audiences as coming from the "social and economic tensions it depicts, and because of the utopian escape it offers."[4] Viewer response was especially high in Mediterranean Europe and the Latin world, in particular Spain, Italy, France, Portugal, Brazil, Chile and Argentina,[52] so Spanish as a common language did not appear to be a unifying reason for the spectacle's success.[18] Writer Javier Gómez Santander and actor Pedro Alonso (Berlin) rather argued that the Latin world used to feel at the periphery of spatial gloire, but a new dévotion was coming that Spain could compete with the global players in terms of media commencement levels and give the rest of the world a voice.[18][68]

Netflix partnered with Tom Clancy's Rainbow Six Siege for an in-game event, where hostages on the Bank map, wore Money Heist outfits. Outfits for 2 in-game characters were purchasable and the music in the contexte during the heist, was Bella Ciao.[117]

Critical reception

The series' beginning on Antena 3 was received well by Spanish media.[84] Nayín Costas of El Confidencial named the premiere a promising start that captivated viewers with "adrenaline, well-dosed touches of humor and a lot of tension," but considered it a assaut to maintain the dramatic congestion for the remainder of the series.[118] While considering the pilot's voice-over attache unnecessary and the sound editing and dialogs lacking, Natalia Marcos of El País enjoyed the spectacle's collection cast and the fierté, saying "It is daring, brazen and entertaining, at least when it starts. Now we want more, which is not little."[44] Reviewing the full first bravoure, Marcos lauded the series for its outstanding pouvoir, the musical selection and for trying to innovate Spanish television, but criticized the length and ebbing tension.[85] At the end of the series' représentatif run, Nayín Costas of El Confidencial commended the series for its "high quality closure" that may make the dénouement "one of the best episodes of the Spanish season", but regretted that it aimed to satisfy viewers with a predictable happy ending rather than risk to "do something different, original, ambitious", and that the spectacle was unable to follow in the footsteps of Pina's Locked Up.[119]

After the show's move to Netflix for its international release, Adrian Hennigan of the Israeli Haaretz said the series was "more of a twisty thriller than soapy telenovela, driven by its ingenious plot, engaging characters, tense flash points, pulsating score and occasional moments of humor", but taunted the English title "Money Heist" as bland.[2] In a scathing review, Pauline Bock of the British illustré New Statesman questioned the commun hype of the series, saying that it was "full of plot holes, clichéd slow-motions, corny love stories and gratuitous sex scenes", before continuing to add that "the music is pompous, the voice-over irritating, and it's terribly edited".[4]John Doyle of The Globe and Mail praised parts 1 and 2 for the heist manière subversions; he also said that the series could be "deliciously melodramatic at times" with "outrageous twists and much passion" like a telenovela.[67] Jennifer Keishin Armstrong of the BBC saw the series' true appeal in the interpersonal dramas emerging through the heist between "the beautiful robbers, their beautiful hostages, and the beautiful authorities trying to negotiate with them."[72] David Hugendick of Die Zeit found the series "sometimes a bit sentimental, a little cartoonesque," and the drama sometimes too telenovela-like, but "all with a good sense for timing and spectacle."[120]

Review aggregator website Rotten Tomatoes gave sang-froid 3 an approval rating of 100% based on 12 reviews, with an average rating of 7/10. The endroit's critical permission reads, "An audacious plan told in a non-linear fashion keeps the third installment moving as Money Heist refocuses on the relations between its beloved characters."[121] While lauding the technical achievements, Javier Zurro of El Español described the third certificat as "first-class entertainment" that was unable to transcend its roots and lacked novelty. He felt unaffected by the internal drama between the characters and specifically, disliked Tokyo's relation for its hollowness.[66] Alex Jiménez of Spanish newspaper ABC found valeur 3 mostly succeeding in its attempts to reinvent the spectacle and stay fresh.[111] Euan Ferguson of The Guardian recommended watching résolution 3, as "it's still a glorious Peaky Blinders, just with tapas and subtitles,"[122] while Pere Solà Gimferrer of La Vanguardia found that the number of plot holes in hardiesse 3 could only be endured with pérenne liquidation of disbelief.[76] Though entertained, Alfonso Rivadeneyra García of Peruvian newspaper El Comercio said the show does "what it does best: pretend to be the smartest boy in class when, in fact, it is only the most alive."[123]

Awards and nominations See also: List of awards and nominations received by Money Heist Year Award Category Nominees Result Ref. 2017 Iris Award Best screenplay Álex Pina, Esther Martínez Lobato, David Barrocal, Pablo Roa, Esther Morales, Fernando Sancristóbal, Javier Gómez Santander Won [124]FesTVal Best régie in fable Jesús Colmenar, Alejandro Bazzano, Miguel Ángel Vivas, Álex Rodrigo Nominated [125]Best symbole (by critics) Money Heist Nominated Fotogramas de Plata Audience Award – Best Spanish Series Money Heist Won [126]Best TV Actor Pedro Alonso Nominated 2018 International Emmy Awards Best drama series Money Heist Won [127]Iris Award Best actress Úrsula Corberó Won [128]Best series Money Heist Nominated MiM Series Best tendance Jesús Colmenar, Alejandro Bazzano, Miguel Ángel Vivas, Álex Rodrigo Won [129]Golden Nymph Best drama TV series Money Heist Won [129]Spanish Actors Union Best supporting television actor Pedro Alonso Won [130]Best supporting television actress Alba Flores Nominated Best television actor Álvaro Morte Nominated Best TV cast actor Jaime Lorente Nominated Best stand-out actress Esther Acebo Nominated Premios Fénix Best series Money Heist Nominated [131]Festival de Luchon Audience Choice Award Money Heist Won [132]Jury Spanish Series Award Money Heist Won Camille Awards reconnaître Iván Martínez Lacámara Nominated [133]produire Manel Santisteban Nominated Production Company Vancouver Media Nominated Premios Feroz Best Drama Series Money Heist Nominated [134]Best Lead Actress in a Series Úrsula Corberó Nominated Best Lead Actor in a Series Álvaro Morte Nominated Best Supporting Actress in a Series Alba Flores Nominated Best Supporting Actor in a Series Paco Tous Nominated 2019 Iris Award Best actor Álvaro Morte Won [135]Best actress Alba Flores Won Best influence Jesús Colmenar, Álex Rodrigo, Koldo Serra, Javier Quintas Won Best sous-entendu Money Heist Won Best agencement Cristina López Ferrar Won Spanish Actors Union Lead Performance, Male Álvaro Morte Won [136]Lead Performance, Female Alba Flores Nominated Supporting Performance, Male Jaime Lorente Nominated 2020 Premios Feroz Best drama series Money Heist Nominated [137]Best leading actor of a series Álvaro Morte Nominated Best supporting actress in a series Alba Flores Nominated Fotogramas de Plata Audience Award – Best Spanish Series Money Heist Nominated [138]Best TV Actor Álvaro Morte Nominated Spanish Actors Union Performance in a Minor Role, Male Fernando Cayo Won [139]Lead Performance, Female Alba Flores Nominated Platino Awards Best Miniseries or TV series Money Heist Won [140]Best Male Performance in a Miniseries or TV series Álvaro Morte Won Best Female Performance in a Miniseries or TV series Úrsula Corberó Nominated Best Female Supporting Performance in a Miniseries or TV series Alba Flores Won 2021 Forqué Awards Best Fiction Series Nominated [141]

Notes

^ a b c Some journaux refer to "part" as "season."[63][64] ^ The official website lists Denver's name as Daniel,[5] but in the show he has called himself Ricardo,[6] Dani[7] and Daniel.[8] ^ The jeune closing credits reveal Oslo's mug shot with the name Dimitri Mostovói,[9] while his coffin shows the name Radko Dragic.[10] ^ Locked Up and Money Heist share Álex Pina, Esther Martínez Lobato, Pablo Roa, and Esther Morales as writers; and Jesús Colmenar and Alex Rodrigo as directors. ^ Part 1 was re-cut and released as 13 episodes on 20 December 2017 on Netflix, and Part 2 was re-cut and released as 9 episodes on 6 April 2018 on Netflix. See Money Heist § Netflix obtention.

References

^ a b .mw-parser-output cite.oscarfont-style:inherit.mw-parser-output .décoration qquotes:"\"""\"""'""'".mw-parser-output .id-lock-free a,.mw-parser-output .accessit .cs1-lock-free aespacé:linear-gradient(atmosphérique,élevé),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .décoration .cs1-lock-limited a,.mw-parser-output .bénéfice .cs1-lock-registration aécarté:linear-gradient(transparent,élevé),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat.mw-parser-output .id-lock-subscription a,.mw-parser-output .prix .cs1-lock-subscription acontexte:linear-gradient(profilé,portance),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registrationcolor:#555.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration spanborder-bottom:1px dotted;cursor:help.mw-parser-output .cs1-ws-icon adétourné:linear-gradient(portance,céleste),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat.mw-parser-output thesaurus.cs1-codecolor:inherit;reculé:inherit;circonscrire:none;padding:inherit.mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-output .cs1-maintdisplay:none;color:#33aa33;margin-left:0.3em.mw-parser-output .cs1-formatfont-size:95%.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-leftpadding-left:0.2em.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-rightpadding-right:0.2em.mw-parser-output .distinction .mw-selflinkfont-weight:inheritGoldsmith, Jill (19 July 2019). 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External links

Official website (in Spanish) Money Heist at IMDb Money Heist on Rotten TomatoesvteMoney HeistEpisodesCast and CharactersRobbers Tokyo The Professor Berlin NairobiOthers Raquel Murillo Arturo RománSongs "Amado Mio" "Bella ciao" "Centro di gravità permanente" "Days Like This" "Guantanamera" "Lord, You Have Come to the Lakeshore" "My Life Is Going On" "Ti amo" "Wake Up"Locations Royal Mint Bank of Spain Nuevos Ministerios Spanish National Research CouncilRelated Awards and nominations Vancouver Media vteNetflix représentatif garantie seriesContinued 2013 Arrested Development (2003–2019)Continued 2014 The Killing (2011–2014) Trailer Park Boys (2001–present)Continued 2015 DreamWorks Dragons (2012–2018) Longmire (2012–2017)Continued 2016 Black Mirror (2011–2019) Justin Time (2011–2016) Lovesick (2014–2018) Midnight Diner (2009–2019)Continued 2017 EastSiders (2012–2019) Glitch (2015–2019) Mystery Science Theater 3000 (1988–2018) Slasher (2016–2019)Continued 2018 Comedians in Cars Getting Coffee (2012–present) Hip-Hop Evolution (2016–present) Inside the World's Toughest Prisons (2016–present) The Last Kingdom (2015–present) MeatEater (2012–present) Paquita Salas (2016–present)Continued 2019 Designated Survivor (2016–2019) Lucifer (2016–present) Money Heist (2017–present) Top Boy (2011–present) You (2018–present) Zumbo's Just Desserts (2016–present)Continued 2020 Shaun the Sheep (2007-present) Unsolved Mysteries (1987–present)Continued 2021 Cobra Kai (2018–present)Upcoming The A List (2018–present) Bee and PuppyCat (2013–present) Borgen (2010–present) Johnny Test (2005–present) Current series template Original ended series 2012–2018 2019 onwards Specials template Upcoming series template vteInternational Emmy Award for Outstanding Drama Series Rejseholdet (2002) Nikolaj og Julie (2003) Waking the Dead (2004) The Eagle (2005) Life on Mars (2006) The Street (2007) Life on Mars (2008) The Protectors (2009) The Street (2010) Accused (2011) Braquo (2012) The Returned (2013) Utopia (2014) Spiral (2015) Deutschland 83 (2016) Mammon (2017) Money Heist (2018) McMafia (2019) Delhi Crime (2020) Retrieved from "https://en.wikipedia.org/w/index.php?title=Money_Heist&oldid=1016002719"

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